brovi

brovi says: 'X-FILES' DAVID DUCHVONY AND THE NAZI BOYS

The 'X-Files' Group [Carter, Spotnitz and Duchvony] Why is it that whenever these duds open their mouths they reek of misinformation and deception much like a used-car-salesman? Within seconds you know they're full of corroded horse crap. (http://www.cbc.ca/mrl3/8752/bc/ondemand/video/bc-080312-xfiles-CLIP.wmv}

Moreover, they're like a really bad infommercial: always selling old Nazi Hollywood (especially X-Files) with such recycling self-glorifications. Not only that but they, without fail, always come across like a bunch of nerdy white collar perverts. Society has never -ever- heard anybody talk as much and say so little as these.

David Duchvony, Carter what's-his-name and the other what's-his-name Spotnitz are known for being a total 'Nazi Landing.' That's not all they're known for. This talentless group of hangers-on made millions off the skirt-tails of Gillian Anderson for a near decade.

Without Gillian Anderson these guys have been sucking the big one, ever since she cut herself loose in 2002. They've been stalking her ever since. This brotherhood abused her way before then however.

If you've ever been a female in the military, you can imagine the kind of harassment and hell she had to put up with (throughout her TV X-Files years) from this jealous bunch of 'Nazi sexist momma's boys.'

David Duchvony's massive ego was tormented when his popularity dropped like 'Californication' ratings (compared to Gillian Anderson's) once Gillian came to the TV series X-Files. With old Hollywood and their Fox studio's unabated blessing, Duchvony and the boys began setting up camp to control, dominate and undermine Gillian Anderson. However, she adamantly refused to cooperate like a good little girl. Go figure!

David Duchvony - Does Nothing
Gillian Anderson was forced to work 16 to 17 hour days scrapping around on the floor fighting with pretend alien dummies into her ninth month of pregnancy. The abuse didn't stop there. Moreover, do you think that David Duchvony and the Nazi boys spoke out concerning this atrocity against motherhood? Yea right.

Gillian Anderson was forced to continue these slave hours after her first newborn arrived. For a near decade she had to work these hours combined with five and a half workweeks for nine months straight out of the year. During the day the only time that Gillian Anderson even got to see her first child was for about 20 minutes between the Nazi boys changing the lighting on the set.

When Gillian tried to stop the abuse they held her to their mafia-like contract. When she fulfilled particulars of the contract that allowed her to option out of that Nazi deed she put in her resignation immediately. During her years struggling to be a working mother and fighting the contractual abuse, David Duchvony and the Nazi boys merely ran the sidelines.

David Duchvony's only public outcry during that time was not against the abuse of motherhood and women's rights on the set by his Nazi boys -and in old Hollywood. No. His only published complaint was, of course, for himself. Duchvony felt it was unfair that he had to do most of the physical and dirty work scenes. And, he wanted more pay. Where have all the good men gone?

Now David Duchvony and the Nazi boys were in dire straights. They pushed their evil Nazi ways too far. Their only source of income was about to walk out the door. But, that wasn't far enough away from these cows for Gillian Anderson. She left the country.

Not once has David Duchvony, nor the Nazi boys, spoke out or even mentioned Gillian Anderson's decade abuse or the abuse which followed Gillian's resignation. Why would they? They were/are the large part of it. Old Hollywood has attempted to make it impossible for Gillian Anderson to work in the industry. It reeks in Hollywood of 'either X-Files or nothing' for Gillian Anderson.

Was it Gillian Anderson's fault that David Duchvony and the Nazi boys, old Hollywood and their Fox studios lost millions upon millions in potential future project revenues when Gillian resigned at hugely high TV ratings? Why should Duchvony and the boys profit from Anderson after what they did and what they continue to do? Does Gillian Anderson owe them anything under the circ*mstances? Since when is Nazi abuse rewarded?

David Duchvony Wanted X-Files Forever
David Duchvony and The Nazi Boys never wanted the X-Files to end. EVER! They had found a million dollar baby (Gillian Anderson.) Their career life was sealed with TV gold, not to mention all the potential movie venues. Yet, one that they couldn't control and use to their own self-serving ends and unhindered abuse.

Regardless, in the six years -since 2002/03- of being blacklisted, slandered in the Nazi celebrity rags and being coerced, Gillian Anderson has refused to return to David Duchvony and the nazi boy's 'X-Files' dreamland. Duchvonly and old Hollywood have been threatening an 'X-Files 2' movie quick cash cow from Gillian Anderson for six long years.

"I got tired of fighting it." To date, that is the only statement Gillian Anderson has made regarding the question, 'what can you tell us about the X-Files 2 movie?'

Gillian Anderson's doc*mented abuse and fight while at Fox studios helped to push through a new law protecting working actor-mothers. Now do you see all the women in Hollywood having babies? The only noted thing that David Duchvony and The Nazi Boys have done is to push through (coerced) the movie sequel 'X-Files 2.'

THE X-FILES 2 (2008) -
A NAZI HOLLYWOOD 'X-FILE 2' - FOR REAL
"I'M TIRED OF FIGHTING IT."
(GILLIAN ANDERSON FEB, 2008)
says brovi:

[Reality lies behind the camera not in front.]

CONWONDER 2008 'X-FILES 2' - BROKEN PANEL -
A+ ANDERSON HOLDS INTEGRITY
The upcoming movie 'X-Files 2' hype was thrown out to the somewhat excited San Francisco fans at the WonderCon 2008 event last week. Notably, Gillian Anderson was in true Anderson form. Resistance.

The 'horse and pony act' opened with Spotnitz as the first to be introduced. He then entered from stage left. Carter's introduction came next. He then made his entrance. Both uneventfully took their seats side by side at the end of a long table which stretched the length of the stage, facing the Sci-fi audience. The noisy room jumped to being more rowdy and steady with moderate applause and shout-outs.

Anderson then suddenly took the stage without being announced and it was clear that it wasn't by accident. She refused to be heeled onto the stage. The house exploded into riotous appreciation. In the deafening confusion Duchvony hastily slipped onto the stage at a half run coming up from behind her. The roaring crowd then noticeably muted ever so slightly a notch or two. Anderson's stride across the stage was relaxed with calm radiance looking neither left nor right and she seemed almost oblivious to the malay going on around her. Noticing the drop in the sound level she whipped a sharp glance over her shoulder, almost flinching at Duchvony's rushing in on her unexpectedly.

A bit startled but not surprised, in a spontaneous split second an expression snapped across her face in the direction of his feet. She was less than amused. Simultaneously she remained unruffled, and gracious to a point, just short of striking out in reflex. The stalking Californication celebrity looked done in and unkempt while taking his questionable fill of her thunder. Duchvony pretended not to notice as he found his way to his chair and nervously gaged the room while mechanically acting his jacket onto the back of his chair.

His 'grasping at straws' entrance correlates famously and congruently with his kind of professional ethics. This could be the sum of his inner working dynamics with Anderson as a whole then and now, a microcosm or summation of their decade old rift; a palpably weird and tense moment. His 'X-Files 2' stage debut was an embarrassing and blatantly awkward moment, tripping them both up. It immediately brought back 2002 flashbacks of Duchovny's past intolerable uneasiness with Anderson's popularity overshadowing his own, his then demanding higher pay, and then his exiting from the TV X-Files first (knowing she wisely had resigned.) Not much has changed between GA & DD.

As a prelude to the panel event: For those who may not know, old Hollywood has stalked and threatened Anderson with this project for years. Consequently throughout the panel discussions Anderson displayed a near morose demeanor and tone. She mixed it up with an occasional pouty lip of pointed displeasure. She at one point interjected a show stopping (literally) comment relating to them wanting to fire her during the X-Files TV series. More importantly, her absolute refrain from ever endorsing the movie spoke volumes.

This holds true especially for those who are familiar with the facts. Old corp. Hollywood, along with their X-Files projects, has a tarnished and doc*mented history. It's extremely oppressive. There's no love lost between them and Anderson. This coincides with the hostilities injected and lack of support from coworkers on the set of the TV X-Files, in Anderson's fight against departmental injustices relating to women's rights for working mothers. All the boys on the WonderCon 2008 'X-Files 2' panel showed the world precisely were they stood (or rather sat) in 2002 when Gillian Anderson stood up for herself, more importantly for her first newborn child and for women's rights.

Taking the bizarre further, corp. Hollywood's susp*ciously handpicked members [or should we say paid actors] of the audience and/or questions stunk of methodical foul play. On average, Carter and old Hollywood's 'X-Files 2' marketing voice and promoter Duchvony received the sophisticated beautifully scripted glorifying questions. Anderson got the star-struck fan on behavioral meds spewing garble.
IN EXAMPLE (to paraphrase):

'David haven't you almost got your Doctorate Degree and you're famous. Tell us how you do it! Can you please give us your secret?'

'Gillian I've watched you since I was three ...garble, garble ...and X-Files series ...garble, garble ...I wuvvy you ...goobby, wooby, oobby! ...ooh!'

The entire 'X-Files 2' broken WonderCon panel affair [Spotnitz, Carter, Anderson and Duchvony] was captured on video and spread widely on the internet.

The unedited professionally shot full version (that you could actually see unhindered)revealed such a truthful state of affairs indeed. It highly emphasized the reality that this group is so sadly lacking in mutual comradery and continuity that the video immediately disappeared off the net. "Sorry video no longer available" started popping up everywhere and rightly so [that telling version is no longer to be found.]

This WonderCon panel's dirty laundry of bygone X-Files days captured digitally said it all. No amount of minute Hollywood office congeniality and/or smiles, backhanded jesting (mostly directed at GA by DD to include an oral copulation jab), or poses for the still shot could ever hope to mask the disjointed lameness of this forced gathering of people.

The WonderCon panel video was killed within 24 hrs and replaced with a flood of -the same- half dozen giant beautiful photos showing friendly smiles now plastered all over the net.

These smiley-face mili-seconds caught digitally were carefully chosen and constructed as 'real time' to misrepresent the truth of the moment and paint a facade of solidarity and success. Not even the trick photography of old Hollywood can put that wonderland back together again. Overall this 'X-Files 2' group of broken pieces was an example of forced association at its best.

There's little doubt that this 'X-Files 2' movie sequel has all the indicators of cheap graphics, a lot of Connolly and Peet, a little of Duchovny and just a hint of substance, Anderson. Oh, and a substantial amount of public rip off.$ It should give old Hollywood some travel money though, for about a year. Old corp. Hollywood is done in Hollywood CA and it seems they're heading to Africa.

As the biggest diamond merchants in the world, their top executives are already setup in Africa's diamond fields, trying to get us into another fine mess no doubt. We can only hope that the general public won't be interested in supplying a war in Africa so these giant corp. conglomerates can capture their blood diamond market like they captured society's arts/media (resulting in today's arts/media monopoly iron curtain.)

brovi says:

A NAZI HOLLYWOOD 'X-FILE 2' - FOR REAL

"I'M TIRED OF FIGHTING IT."
(GILLIAN ANDERSON FEB, 2008)

[Reality lies behind the camera not in front.]

CONWONDER 2008 'X-FILES 2' - BROKEN PANEL -
A+ ANDERSON HOLDS INTEGRITY
The upcoming movie 'X-Files 2' hype was thrown out to the somewhat excited San Francisco fans at the WonderCon 2008 event last week. Notably, Gillian Anderson was in true Anderson form. Resistance.

The 'horse and pony act' opened with Spotnitz as the first to be introduced. He then entered from stage left. Carter's introduction came next. He then made his entrance. Both uneventfully took their seats side by side at the end of a long table which stretched the length of the stage, facing the Sci-fi audience. The noisy room jumped to being more rowdy and steady with moderate applause and shout-outs.

Anderson then suddenly took the stage without being announced and it was clear that it wasn't by accident. She refused to be heeled onto the stage. The house exploded into riotous appreciation. In the deafening confusion Duchvony hastily slipped onto the stage at a half run coming up from behind her. The roaring crowd then noticeably muted ever so slightly a notch or two. Anderson's stride across the stage was relaxed with calm radiance looking neither left nor right and she seemed almost oblivious to the malay going on around her. Noticing the drop in the sound level she whipped a sharp glance over her shoulder, almost flinching at Duchvony's rushing in on her unexpectedly.

A bit startled but not surprised, in a spontaneous split second an expression snapped across her face in the direction of his feet. She was less than amused. Simultaneously she remained unruffled, and gracious to a point, just short of striking out in reflex. The stalking Californication celebrity looked done in and unkempt while taking his questionable fill of her thunder. Duchvony pretended not to notice as he found his way to his chair and nervously gaged the room while mechanically acting his jacket onto the back of his chair.

His 'grasping at straws' entrance correlates famously and congruently with his kind of professional ethics. This could be the sum of his inner working dynamics with Anderson as a whole then and now, a microcosm or summation of their decade old rift; a palpably weird and tense moment. His 'X-Files 2' stage debut was an embarrassing and blatantly awkward moment, tripping them both up. It immediately brought back 2002 flashbacks of Duchovny's past intolerable uneasiness with Anderson's popularity overshadowing his own, his then demanding higher pay, and then his exiting from the TV X-Files first (knowing she wisely had resigned.) Not much has changed between GA & DD.

As a prelude to the panel event: For those who may not know, old Hollywood has stalked and threatened Anderson with this project for years. Consequently throughout the panel discussions Anderson displayed a near morose demeanor and tone. She mixed it up with an occasional pouty lip of pointed displeasure. She at one point interjected a show stopping (literally) comment relating to them wanting to fire her during the X-Files TV series. More importantly, her absolute refrain from ever endorsing the movie spoke volumes.

This holds true especially for those who are familiar with the facts. Old corp. Hollywood, along with their X-Files projects, has a tarnished and doc*mented history. It's extremely oppressive. There's no love lost between them and Anderson. This coincides with the hostilities injected and lack of support from coworkers on the set of the TV X-Files, in Anderson's fight against departmental injustices relating to women's rights for working mothers. All the boys on the WonderCon 2008 'X-Files 2' panel showed the world precisely were they stood (or rather sat) in 2002 when Gillian Anderson stood up for herself, more importantly for her first newborn child and for women's rights.

Taking the bizarre further, corp. Hollywood's susp*ciously handpicked members [or should we say paid actors] of the audience and/or questions stunk of methodical foul play. On average, Carter and old Hollywood's 'X-Files 2' marketing voice and promoter Duchvony received the sophisticated beautifully scripted glorifying questions. Anderson got the star-struck fan on behavioral meds spewing garble.
IN EXAMPLE (to paraphrase):

'David haven't you almost got your Doctorate Degree and you're famous. Tell us how you do it! Can you please give us your secret?'

'Gillian I've watched you since I was three ...garble, garble ...and X-Files series ...garble, garble ...I wuvvy you ...goobby, wooby, oobby! ...ooh!'

The entire 'X-Files 2' broken WonderCon panel affair [Spotnitz, Carter, Anderson and Duchvony] was captured on video and spread widely on the internet.

The unedited more professionally shot full version (that you could actually see unhindered) revealed such a truthful state of affairs indeed. It highly emphasized the reality that this group is so sadly lacking in mutual comradery and continuity that the video immediately disappeared off the net. "Sorry video no longer available" started popping up everywhere and rightly so [that telling version is no longer to be found.]

This WonderCon panel's dirty laundry of bygone X-Files days captured digitally said it all. No amount of minute Hollywood office congeniality and/or smiles, backhanded jesting (mostly directed at GA by DD to include an oral copulation jab), or poses for the still shot could ever hope to mask the disjointed lameness of this forced gathering of people.

The WonderCon panel video was killed within 24 hrs and replaced with a flood of -the same- half dozen giant beautiful photos showing friendly smiles now plastered all over the net.

These smiley-face mili-seconds caught digitally were carefully chosen and constructed as 'real time' to misrepresent the truth of the moment and paint a facade of solidarity and success. Not even the trick photography of old Hollywood can put that wonderland back together again. Overall this 'X-Files 2' group of broken pieces was an example of forced association at its best.

There's little doubt that this 'X-Files 2' movie sequel has all the indicators of cheap graphics, a lot of Connolly and Peet, a little of Duchovny and just a hint of substance, Anderson. Oh, and a substantial amount of public rip off.$ It should give old Hollywood some travel money though, for about a year. Old corp. Hollywood is done in Hollywood CA and it seems they're heading to Africa.

As the biggest diamond merchants in the world, their top executives are already setup in Africa's diamond fields, trying to get us into another fine mess no doubt. We can only hope that the general public won't be interested in supplying a war in Africa so these giant corp. conglomerates can capture their blood diamond market like they captured society's arts/media (resulting in today's arts/media monopoly iron curtain.)