Sienna Guillory

The daughter of Cuban-born guitarist Isaac Guillory, Sienna was born in London in May of 1975; her childhood was marked by the kind of bohemian upbringing that encouraged creativity and artistic experimentation. It wasn't long before the ambitious youngster was considering a career as an actress, and in 1993, at the age of 16, Guillory landed her first role with a bit part in the cheeky, equestrian-themed U.K. miniseries Riders. Those who caught a brief glimpse of the up-and-coming talent no doubt agreed that the camera took a special shine to her, and a bit part in the U.K. period drama The Buccaneers following in short order. Guillory's appearance in The Buccaneers prompted her to study her craft more closely, but her course was somewhat altered when, at the age of 21, she accompanied a friend to the Select modeling agency and was immediately signed by the powerhouse. Though a stint as the Hugo Boss girl (not to mention campaigns for Armani and Dolce & Gabbana, to name only a few) did offer Guillory notable exposure, it did little to sway her dedication to acting, and she was soon honing her skills at the New World School of Dramatic Arts and later the Paris Conservatoire. By the time Guillory returned to the screen with a substantial role in the 2000 thriller Sorted, she had began to develop a unique style that would continue to impress in such features as Kiss Kiss (Bang Bang) and Late Night Shopping. A winning-turn as the virginal heroine of Kingsley Amis' novel -A Girl Like You got Guillory positive critical notice when the television adaptation was aired in the U.K. in 2001, and it wasn't long before she had set her sights on Hollywood.

If Guillory's turn as the romantic interest of lead Guy Pearce's character in the 2002 sci-fi adventure The Time Machine did little to further her career when the film generally failed to live up to expectations at the box office, she could at least take comfort in the fact that she would soon be portraying one of the most legendary beauties of all in the made-for-television adventure Helen of Troy. That film, too, was met with a somewhat lukewarm response, and though she would remain decidedly loyal to British television with roles in such efforts as 2004's Beauty, it was obvious by parts in such movies as Love Actually and Resident Evil: Apocalypse that she was eager to expand her horizons beyond typical costume drama fare and into mainstream Hollywood territory. In 2004, Guillory began preparation for roles in the fraternity-themed horror film Victims and director Keoni Waxman's Poolhall Prophets. ~ Jason Buchanan