Shirley MacLaine: Biography

  • Birth Date:April 24th, 1934 - Richmond, Virginia, USA
A dancer, singer, highly regarded actress and metaphysical time traveler, Shirley MacLaine is certainly among Hollywood's most unique stars. Born Shirley MacLane Beaty on April 24, 1934 in Richmond, Virginia, MacLaine was the daughter of drama coach and former actress Kathlyn MacLean Beaty and Ira O. Beaty, a professor of psychology and philosophy. Her younger brother, Warren Beatty, also grew up to be an important Hollywood figure as an actor/director/ producer and screenwriter. MacLaine's mother, who gave up her own dreams of stardom for her young family, greatly motivated her daughter to become an actress and dancer. MacLaine took dance lessons from age two, first performed publicly at age four, and at 16 went to New York, making her Broadway debut as a chorus girl in Me and Juliet (1953). When not scrambling for theatrical work, MacLaine worked as a model.

Interestingly, MacLaine's big break was the result of another actress's bad luck. In 1954, MacLaine was understudying Broadway actress Carol Haney The Pajama Game when Haney fractured her ankle. MacLaine replaced her and was spotted and offered a movie contract by producer Hal Wallis. With her auburn hair cut impishly short, the young actress made her film debut in Hitchock's black comedy The Trouble With Harry (1955). Later that year, she co-starred opposite Dean Martin and Jerry Lewis in the comedy Artists and Models. In her next feature, Around the World in 80 Days (1956), she appeared as an Indian princess.

MacLaine earned her first Oscar nomination for her portrayal of a pathetic tart who shocks a conservative town by showing up on the arm of young war hero Frank Sinatra in Some Came Running (1959). She then got the opportunity to show off her long legs and dancing talents in Can-Can (1960). Prior to that, she appeared with Rat Packers Frank Sinatra, Dean Martin, Sammy Davis Jr. and Peter Lawford in Oceans Eleven (1960). MacLaine, the only female member of the famed group, would later recount her experiences with them in her seventh book My Lucky Stars. In 1960, she won her second Oscar nomination for Billy Wilder's comedy/drama The Apartment, and a third nomination for Irma La Douce (1963). MacLaine's career was in high gear during the '60s, with her appearing in everything from dramas to madcap comedies to musicals such as What a Way to Go! (1964) and Bob Fosse's Sweet Charity! (1969). In addition to her screen work, she actively participated in Robert Kennedy's 1968 presidential campaign and served as a Democratic Convention delegate. She was similarly involved in George McGovern's 1972 campaign.

Bored by sitting around on movie sets all day awaiting her scenes, MacLaine started writing down her thoughts and was thus inspired to add writing to her list of talents. She published her first book, Don't Fall Off the Mountain in 1970. She next tried her hand at series television in 1971, starring in the comedy Shirley's World (1971-72) as a globe-trotting photographer. The role reflected her real-life reputation as a world traveler, and these experiences resulted in her second book Don't Fall Off the Mountain and the documentary The Other Half of the Sky -- A China Memoir (1975) which she scripted, produced and co-directed with Claudia Weill. MacLaine returned to Broadway in 1976 with a spectacular one-woman show A Gypsy in My Soul, and the following year entered a new phase in her career playing a middle-aged former ballerina who regrets leaving dance to live a middle-class life in The Turning Point. MacLaine was memorable starring as a lonely political wife opposite Peter Sellers' simple-minded gardener in Being There (1979), but did not again attract too much attention until she played the over-protective, eccentric widow Aurora Greenway in James L. Brooks' Terms of Endearment (1983), a role that finally won MacLaine an Academy Award. That same year, she published the candid Out on a Limb, bravely risking public ridicule by describing her experiences and theories concerning out-of-body travel and reincarnation.

MacLaine's film appearances were sporadic through the mid '80s, although she did appear in a few television specials. In 1988, she came back strong with three great roles in Madame Sousatzka (1988), Steel Magnolias (1989) and particularly Postcards from the Edge (1990), in which she played a fading star clinging to her own career while helping her daughter Meryl Streep, a drug addicted, self-destructive actress. Through the '90s, MacLaine specialized in playing rather crusty and strong-willed eccentrics, such as her title character in the 1994 comedy Guarding Tess. In 1997, MacLaine stole scenes as a wise grande dame who helps pregnant, homeless Ricki Lake in Mrs. Winterbourne, and the same year revived Aurora Greenway in The Evening Star, the critically maligned sequel to Terms of Endearment.

MacLaine's onscreen performances were few and far between in the first half of the next decade, but in 2005 she returned in relatively full force, appearing in three features. She took on a pair of grandmother roles in the comedy-dramas In Her Shoes and Rumor Has It..., and was a perfect fit for the part of Endora in the bigscreen take on the classic sitcom Bewitched.

For a long time, MacLaine did seminars on her books, but in the mid '90s stopped giving talks, claiming she did not want "to be anyone's guru." She does, however, continue writing and remains a popular writer. ~ Sandra Brennan
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  1. DANE_YOUSSEF

    SHIRLEY MACLAINE, A DANCER FIRST by Dane Youssef

    Yes, that's right. She was a dancer first. Before she was in Hollywood or any kind of actress... she was a dancer. Her life pursuit was to be a dancer. To dance...

    Shirley MacLaine has always one of my favorites in the business for some reason. I have liked her from the longest time. She's so... elaborate and strange.

    She does so much and so often. She's danced on Broadway. She's acted in countless Oscar-caliber films. She always bring compassion and humanity to every single role she does. Because she doesn't seem like a true movie star. She has a way that seems natural. She loves to perform. But she's not really any prima donna.

    When Shirl' was a little girl, she had very weak ankles would fall over if she so much as made the slightest single misstep. So at the twee age of tres, her mother put here in ballet class. In an instant, it was her life goal.

    But after an injury, she realized that the ballet was "too stifling." She also wasn't allowed to speak onstage or do too much outside the box. And in ballet, in a way--you kind of have to be born to do it. She never had the exact body type for it.

    And from her own lips, claimed that she didn't have what they considered the "proper ballet feet" (incredibly high arches, insteps and a flexible ankle). So she took off her ballet tights and slippers, hung 'em up for good, bowed out... and said her last curtain call...

    She decided not to pursue a professional career in the ballet. Not only because of her respectable height--a whopping 5'7", she stood eye-to-eye with Mikhail Baryshnikov even in her stockinged feet. They had the best rapport when working together. Since Shirley herself has had ballet training (from three to her teens), she even made it all the way to taking pointe and performing it onstage--they spent a lot of time discussing what ballet did for you--physically, emotionally and spiritually. MacLaine herself is very spiritual and has even cranked out books on the damn subject.

    When she got her big comeback in 1977 "The Turning Point," it was so cathartic for her. It not only revitalized her entire career, it was like going back to the well. And seeing her alternate life, what might have been.

    Dear Lady MacLaine once said if she had given up on her life-long goal, she believed that "Turning Point" was a look about what her life might have been...

    --Sincerely A Fan and Fellow Dancer, Dane Youssef

    2 years agoby @dane-youssefFlag

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