Lambert Wilson

Throughout the 1990s, Wilson became increasingly comfortable with leading-man status thanks to a strong series of featured performances in numerous French productions. Despite the fact that Wilson might not have been easily recognizable to American audiences, his small roles in numerous art-house hits continued to hint at the possibility of future international stardom. It was during this period that Wilson was also becoming increasingly prominent on-stage due to memorable and high-profile performances alongside such heavies as Maggie Smith (La Machine Infernale), Judi Dench (A Little Night Music), and his father (Eurydice). In 1994 Lambert directed himself in a production of Musset's Les Caprices de Marianne, which went on to tour throughout France after a successful run in Paris.

After Wilson's international breakthrough in 2003's The Matrix Reloaded, audiences worldwide could rest assured that they would be seeing plenty more of the talented actor in the very near future -- and that's not even taking into account the continuation of his Merovingian role in The Matrix Revolutions. Even as Lambert was on the verge of international stardom with the announcement of his involvement with such high-profile U.S. releases as Richard Donner's Timeline and the big-budget superhero film Catwoman (directed by stylish French director Pitof), he still remained true to his roots by simultaneously appearing in such undeniably French productions as Alain Resnais' Pas sur la Bouche (2003) and Nadine Trintignant's small-screen drama Colette. In addition to his acting career, Wilson has narrated classical works under the direction of some of the world's most notable conductors, and has released a pair of albums featuring both classic songs from American musicals and the golden age of French cinema. ~ Jason Buchanan