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In Movie Theaters the Week of
December 12th, 2005

9 films are being released this week

Tuesday, December 13th
Creep

Creep


Rated: R
London, midnight, on a cold evening. Unable to find a taxi, Kate (Potente) heads for the Underground. She takes a seat away from the crowd of late-night revelers and waits for the last train. Before long she drifts off to sleep… and wakes to find everyone gone. She momentarily panics until another train pulls in. She boards, unnerved that she's the only passenger, but relieved at last to be on her way. Halfway through the tunnel the train jerks to a violent halt. The lights shut off and the train is plunged into darkness. Kate screams… she is trapped, in the dark… and she is not alone… her nightmare has only just begun.
Wednesday, December 14th
King Kong

King Kong


Rated: PG-13
Jackson will bring his sweeping cinematic vision to the iconic story of the gigantic ape-monster captured in the wilds and brought to civilization where he meets his tragic fate. The screenplay by Jackson, Walsh and Boyens is based on the original story by Merian C. Cooper and Edgar Wallace, which became the classic 1933 RKO Radio Pictures film, directed by adventurers Cooper and Ernest B. Schoesdack. Jackson will employ the latest motion picture technology to cinematically portray the timeless tale of the beast and his beauty. He will expand on the chapters of the tale that take place in the mysterious and dangerous jungles of Skull Island, and his Kong promises to be a unique and breathtaking creation.

The Three Burials of Melquiades Estrada

The Three Burials of Melquiades Estrada


Rated: R
A man is shot and quickly buried in the high desert of west Texas. The body is found and reburied in Van Horn's town cemetery. Pete Perkins, a local ranch foreman, kidnaps a Border Patrolman and forces him to disinter the body. With his captive in tow and the body tied to a mule, Pete undertakes a dangerous and quixotic journey into Mexico.
Happy Here and Now

Happy Here and Now


Rated: R
A young woman named Amelia (Liane Balaban) comes to New Orleans in search of her missing sister, Muriel (Shalom Harlow). She stays with her distracted aunt Lois (Ally Sheedy) and young niece (Josephine Martin). With the help of Lois's neighbor, a run-down, retired private-eye named Bill (Clarence Williams III), Amelia focuses on the only clue to Muriel's disappearance: a computer with a wiped-out hard drive. With Bill's help, Amelia makes online contact with a drawling, philosophically inclined young man calling himself Eddie Mars--a man reachable only in the disembodied realm of cyberspace. It's evident that Eddie Mars has had some contact with the missing woman, but the nature of their relationship is unclear. As Amelia tries to track Eddie down, other New Orleanians enter the picture: a termite control expert (David Arquette) holed up in a tented house; his brother, Tom, an accident-prone fireman (Karl Geary); and a recently widowed music teacher, Hannah (Gloria Reuben). There's also a trio of squatters (Isabel Gillies, Nic Ratner and Quintron) who had been living with Muriel, and local R&B legend Ernie K-Doe, presiding over his Mother-in-Law Lounge. Set just a few moments into the future, "Happy Here and Now" hinges on an around-the-corner sci-fi premise, involving a computer technology that allows people to project alternate identities over the Internet. But the movie's dreamlike aspect emerges from real people and places. As various characters cross paths, a larger story takes shape-a chronicle of isolated souls searching for connection in a contemporary wilderness.
The Grace Lee Project

The Grace Lee Project


Rated: NONE
"The Grace Lee Project" is a humorous exploration of what it means to be an Asian woman in America. Grace Lee is the quintessential Asian American woman's name, the Asian American Jane Smith. By looking at the stories of several women named Grace Lee, "The Grace Lee Project" pursues the moving target of Asian American female identity, revealing a surprising complexity and diversity of experiences.
Friday, December 16th
Hoodwinked

Hoodwinked


Rated: PG
Little Red Riding Hood: A classic story, but there's more to every tale than meets the eye. Before you judge a book by its cover, you've got to flip through the pages. For this story, we begin at the end. Furry and feathered cops from the animal world investigate a domestic disturbance at Granny's cottage, involving a girl, a wolf, and an axe. The charges are many: breaking and entering, disturbing the peace, intent to eat, and wielding an axe without a license. Not to mention, this case might be tied to the elusive "Goody Bandit" who has been stealing the recipes of goody shops everywhere.
The Producers

The Producers


Rated: PG-13
Max Bialystock is a theatrical producer who sweet-talks rich old women to get them to invest in his Broadway plays. Then he meets Leo Bloom, who innocently realizes that if Max were to get a lot of money to invest in play which was a guaranteed flop, that they would be rich. The two then proceed to find the worst play ever written, obtain a large number of investors, hire a lead actor and director with absolutely no talent, and then sit back to wait for the bad reviews. The plan is faultless, at least they think so....
The Family Stone

The Family Stone


Rated: PG-13
The Stone family unites in common cause when their favorite son brings his uptight girlfriend home for the Christmas holiday, with plans of proposing. Overwhelmed by the hostile reception, she begs her sister to join her for emotional support, triggering further complications.
Electric Shadows

Electric Shadows


Rated: NONE
"Electric Shadows" opens in present-day Beijing with a disastrous encounter between delivery boy Dabing (Xia Yu, who won the Best Actor prize in Venice for In the Heat of the Sun) and Ling Ling (Qi Zhongyang). Dabing is the one with a bump on his head, but Ling Ling's the one who ends up in hospital, receiving overdue treatment for a life that has left her dazed, confused and hurt. He visits her home to keep her fish fed and starts reading her diary. It tells a story that shocks him in ways he could never have expected, but it also reminds him of his own childhood passion for the movies. Those were the days before television, when movies were the only real mass medium and when audiences breathed and dreamed as one.