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In Movie Theaters the Week of
October 18th, 1999

10 films are being released this week

Tuesday, October 19th
Freeway II: Confessions of a Trickbaby

Freeway II: Confessions of a Trickbaby


Rated: R
Despite the efforts of her sleazy attorney, Mr. Butz (David Alan Grier), teen drug dealer/car thief Crystal (Natasha Lyonne) is sentenced to a 25-year prison term, the first segment of which will be served in a youth correctional facility where she will be treated for her rampant bulimia. There, in-between binge/purge marathons with her fellow eating-disordered inmates and relentless harassment of the hapless authorities, she fends off the lesbian advances of her psychotic cellmate, Cyclona (Maria Celedonio), a serial killer who's just received a life sentence. The two escape together and embark on a cross-country road trip in search of Sister Gomez (Vincent Gallo), the beneficent nun who protected Cyclona from the sexual predations of her family during her troubled childhood south of the border. Where writer/director Matthew Bright's original Freeway was a modern retelling of Little Red Riding Hood, Freeway 2 riffs on Hansel and Gretel; it borrows only the trailer-park trappings of the earlier film, making the titular allusion to automobiles somewhat tenuous.
Friday, October 22nd
Boys Dont Cry

Boys Don't Cry


Rated: R
Based on actual events. Brandon Teena is the popular new guy in a tiny Nebraska town. He hangs out with the guys, drinking, cussing, and bumper surfing, and he charms the young women, who've never met a more sensitive and considerate young man. Life is good for Brandon, now that he's one of the guys and dating hometown beauty Lana. However, he's forgotten to mention one important detail. It's not that he's wanted in another town for GTA and other assorted crimes, but that Brandon Teena is actually a woman named Teena Brandon. When Brandon's best friends make this discovery, his life eventually is ripped apart by betrayal, humiliation, rape, and murder.

The Best Man

The Best Man


Rated: R
Harper Stewart (Taye Diggs), a commitment-shy writer and the best man at the wedding of Lance (Morris Chestnut) and Mia (Monica Calhoun), is nervous - and with good reason. His steamy new novel hits bookstores soon, and when his friends finally read it he knows they will notice more than just a passing resemblance to the characters depicted in the book. To make matters worse, one of the bridesmaids, Jordan (Nia Long), an ambitious TV producer, has obtained an advance copy of the book-and it's making the rounds with all his friends. With vows about to be exchanged and friendships renewed, the pressure is on. For by the end of the weekend, scandalous secrets from the book involving close friends and loved ones will be revealed, and everyone will have re- evaluated their relationships with each other, their lovers and with themselves-for better or for worse.
Body Shots

Body Shots


Rated: R
When eight 20-something men and women set off on a wild ride through the notorious nightlife of Los Angeles, they get more - and less - than they bargained for. Fueled by the need for love and intimacy, the evening takes them on a crash course through the turbulent world of sex and dating in the `90s. The film dissects the events of the evening through the varying perspective of each participant.
Three to Tango

Three to Tango


Rated: PG-13
Oscar Novak is an idealistic, young architect on the rise. Boyishly handsome and funny, Oscar and his business partner, Peter Steinberg (Platt), have just landed a career-making opportunity-Chicago tycoon Charles Newman has chosen them to compete for the design of a multi-million dollar cultural center. In a ploy for publicity, Newman has pitched Oscar and Peter in a neck-and-neck competition with their archrivals and former colleagues, the hugely successful (and equally ruthless) Decker and Strauss.
Bats

Bats


Rated: PG-13
Dr. Sheila Casper is summoned to the sleepy desert town of Gallup, Texas, where unexplained bat attacks have caused several grisly deaths. When night creeps in, swarming hordes of bats fill the darkening sky and invade the town. The bats swoop down and attack every living thing in their path, turning the town into living nightmare where everyone is a target and there is nowhere to hide. Sheila and her assistant, Jimmy (Leon), team up with the local sheriff Emmett Kimsey (Lou Diamond Phillips) to try to find a way to stop the bats. They discover that a scientist (Bob Gunton) has tampered with nature and infected the bats with a genetic virus, causing the usually harmless mammals to become vicious killers. They catch and tag one of the bats, hoping it will lead them to their lair. However, these bats are too cunning. Seeking shelter from the dark, the team holes up in an abandoned high school when the bats unleash an unrelenting and vicious assault, seemingly in a coordinated attack. When the sun gives them safety, Sheila and Kimsey locate the bats' roost inside an abandoned mine. With no way to defeat the bats' sheer numbers and power of flight, Sheila and Kimsey must bravely descend into the mine, where the bats hang from the mine ceiling asleep. If they can't stop the bats, night will fall, the bat colony will grow, the virus will spread, and the bats will take flight in search of more and more prey.
The Limey

The Limey


Rated: R
The Limey follows Wilson (Terence Stamp), a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine (Peter Fonda) and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own; and before his trip is through, all of Los Angeles will know that The Limey is in town.
Bringing Out The Dead

Bringing Out The Dead


Rated: R
Sirens screaming and lights flashing, a New York City ambulance speeds through the night. Its drivers are paramedics working the graveyard shift -- men who come face-to-face with the dead and the dying on a daily basis. Burnt out from one too many nights on the job, they are nearly as broken as the bodies they haul through the streets. What keeps them going is their caustic sense of comedy, and an acrid view of a world which seems to have its surreal epicenter in Manhattan. Nicolas Cage plays EMS paramedic Frank Pierce. It is the early 1990's and New York has not yet undergone its renaissance of recent years. Surrounded by the injured and the dying, Frank is dwelling in an urban night-world, crumbling under the accumulated weight of too many years of saving and losing lives. The film follows Frank over the course of fifty-six hours in his life - two days and three nights on the job - as he reaches the very brink of spiritual collapse and redemption.
Crazy in Alabama

Crazy in Alabama


Rated: PG-13
It's the summer of 1965, and a backwoods Alabama boy named Peejoe (Lucas Black) - short for Peter Joseph - is about to get a fast education in grown-up matters like freedom. The catalyst will be the most unlikely of sources-his glamorous, eccentric Aunt Lucille (Melanie Griffith), who escapes from her husband's clutches and takes off for Hollywood to pursue her dreams of TV stardom. In the midst of her journey to assert her own independence, she will be an unlikely catalyst for an unforgettable summer for her nephew Peejoe, a backwoods Alabama boy who is about to get a fast education in grown-up matters like personal freedom, women's rights and racial prejudice.
Molly

Molly


Rated: PG-13
Have you ever wondered what it would be like to grow into adulthood without leaving the freedom and wonderment of childhood behind? Molly McKay, whose refreshing and childlike spirit transforms the lives of everyone around her. From rescuing lobsters at a fancy restaurant to interrupting a performance of Romeo & Juliet to give their story a happy ending, Molly is a true innocent who insists on only seeing the beauty and joy of life.