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In Movie Theaters the Week of
October 11th, 1999

9 films are being released this week

Wednesday, October 13th
Cremaster 2

Cremaster 2


Rated: NONE
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1. Cremaster 2 embodies this regressive impulse through its looping narrative, moving from 1977, the year of Gary Gilmore's execution, to 1893, when Harry Houdini, who may have been Gilmore's grandfather, performed at the World's Columbian Exposition. The film is structured around three interrelated themes - the landscape as witness, the story of Gilmore (played by Barney), and the life of bees - that metaphorically describe the potential of moving backward in order to escape one's destiny. Both Gilmore's kinship to Houdini (played by Norman Mailer) and his correlation with the male bee are established in the conception scene in the beginning of the film, during which Houdini's spirit is summoned and Gilmore's father expires after fertilizing his wife. Gilmore's sense of his own doomed role as drone is expressed in the ensuing sequence in a recording studio where Dave Lombardo, former drummer of Slayer, is playing a solo to the sound of swarming bees. A man shrouded by bees with the voice of Steve Tucker, lead vocalist of Morbid Angel, growls into a telephone. Collectively these figures allude to Johnny Cash, who is said to have called Gilmore on the night of his execution in response to the convict's dying wish. Barney depicts Gilmore's murder of a Mormon gas station attendant in both sculptural and dramatic forms. Inferring that Gilmore killed out of a longing for union with his girlfriend, Nicole Baker, he represents their relationship through two conjoined cars: the blue and the white 1966 Mustangs that they coincidentally both owned. In the murder sequence, Gilmore shoots his victim in the back of the head. This act sets in motion the trial and verdict that will condemn him to death, a sentence he embraces despite all efforts to overturn it. Barney stages the judgment of Gilmore in the Mormon Tabernacle Choir. Gilmore welcomes death, refusing to appeal his sentence and opting for execution by firing squad, in a literal interpretation of the Mormon belief that blood must be shed in order for a sinner to obtain salvation. His execution is staged as a prison rodeo in a cast-salt arena in the middle of the flooded Bonneville Salt Flats. Gilmore is lowered onto a bull and he rides to his death. In Barney's interpretation of the execution, Gilmore was less interested in attaining Mormon redemption than in performing a chronological two-step that would return him to the space of his alleged grandfather, Houdini, with whom he identified the notion of freedom through self-transformation. Seeking escape from his fate, he chose death in an act of ultimate self-will. Gilmore's metaphoric transportation back to the turn of the century is rendered in a dance sequence featuring the Texas two-step. The film ends in the Columbian Exposition hall where Houdini is approached by Gilmore's grandmother Baby Fay La Foe who will seduce him, an act that sets in motion the circular narrative of Cremaster 2.
Friday, October 15th
Fight Club

Fight Club


Rated: R
You are not your job. You are not how much you have in the bank. You are not the contents of your wallet. You are not your khakis. You are not a beautiful and unique snowflake. What happens first is you can't sleep. What happens then is there's a gun in your mouth. And what happens next is you meet Tyler Durden. Let me tell you about Tyler. He had a plan. In Tyler we trusted. Tyler says the things you own, end up owning you. It's only after you've lost everything that you're free to do anything. Fight Club represents that kind of freedom. First rule of Fight Club: You do not talk about Fight Club. Second rule of Fight Club: You do not talk about Fight Club. Tyler says self-improvement is masturbation. Tyler says self-destruction might be the answer.

The Omega Code

The Omega Code


Rated: PG-13
Scholars have uncovered the key to the Bible Code, an ancient mathematical equation applied to the five books of Moses whose hidden messages are said to contain prophesies for human history. No, two people are in an international race to possess the computer discs which foretell events and could control the world.
The Story of Us

The Story of Us


Rated: R
The very real and humorous examination of Ben and Katie Jordan's marriage. After 15 years, the couple is wrestling with the universal paradox: why are the qualities that made them fall in love in the first place now the very things pulling them apart?
Whiteboyz

Whiteboyz


Rated: R
"Whiteboys" is a funny and searing look at America's youth struggling to find their place amidst a sea of designer labels in an image-driven society.
Happy, Texas

Happy, Texas


Rated: PG-13
Happy, Texas follows two escaped prisoners, Harry Sawyer (Jeremy Northam) and Wayne Wayne Wayne Jr. (Steve Zahn) whose only hope to evade the law lies in a most unusual getaway vehicle ... a beat-up Winnebago. Now, to hold onto their freedom they'll have to assume the identity of the R/V's owners: two beauty pageant producers about to set up shop in one very small Texas town. What initially looked like an easy way to lay low is turning into everything but. This unlikely pair is going to have to do things, say things and be things they never dreamed.
The Straight Story

The Straight Story


Rated: G
A 73 year-old man travels from Laurens, Iowa to Mt. Zion, Wisconsin on a riding lawn mower in 1994. The man's strange pilgrimage was undertaken so that he could mend his relationship with his estranged older brother.
Amazing Journeys

Amazing Journeys


Julien Donkey-boy

Julien Donkey-boy