Yeah, I know what you're thinking, "Hey, isn't Jigsaw dead? Didn't they wrap things up with Saw 3? Why are they making another one?" Well, I was wondering the same thing... And sadly, I'm still wondering.
Much like Saw 3, and well, every other Saw movie; the story for big ol' 4 follows multiple paths in order to better tell the story of Jigsaw. Like the films before it, Saw 4 maintains consistency with its characters, all the while adding new ones into the bloody mixture. Borrowing from its last venture into suffering, the story of Saw 4 involves the Swat leader from Saw 2 (Rigg) being thrown into a twisted game of trials. Here, he must act as a type of judge to decide whether or not to help people, or let them help themselves (and possibly die in the process). On the same crimson trail of agony is a group of detectives trying to link the murders to Jigsaw's ex-wife. In between all of these confused protagonists are victims. Some new, some old, but victims nonetheless.
Honestly, the movie is quite intriguing. The story is well paced and actually doesn't constantly rely on the gruesome violence to tell the story. Serisously; after Saw 3, the pacing of this sequel is a breath of fresh air. Even the transitions are perfectly handled and take the viewer by surprise without taking them out of the movie (much like Saw 2). One scene in particular has Rigg throwing a character into a mirror. When the character falls through the glass, it gives way to a police officer walking by; all of the sudden we're now in a police station. Moments like this break up the monotony, and make it appear as though the screenwriters weren't just dwelling on another cash-in, but were actually trying to apply creativity to the stale formula.
The biggest fault I have with the movie has to be the ending. While the Saw series is known for its climactic twists; Saw 4's is... Well... Horrible. Really, just horrible. Actually, even calling it a "twist" is giving it far too much credit. In Saw 1-3 (yes, even the rather poor third installment), the final "gotcha" moments were always significant and consistent with the movie itself as well as the series supporting it. Saw 4's ending on the other hand, is not. I can't say how disappointed I was when I heard the "zepp overture" begin playing. It's an awesomely amazing song; but as soon as you hear it starting, you know the film is just about over. As Charlie Clouser's theme continued to play out its audible goodness, I just couldn't help but think, "Wait, what? That's it? That's the 'big' twist? What the-- that's not even surprising AT ALL?" In all honesty, up until the last 5 minutes of the film I was thoroughly enjoying the movie.
Oh, and I guess I should mention the violence for everyone pining to see it just for that reason. For many, after Saw 3, or Hostel: Part 2, I don't think that a lot of the violent content will surprise. Yes, it is horribly cruel and gruesome at points; but it just doesn't feel near as gratuitous as other horor films released this year. And for that, I'm grateful. To truly grasp the reality of a situation, I don't think you have to see every graphic detail. Like the first Hostel (definitely not the second), I think knowing what's going on and having your mind do the rest is far more emotionally powerful than outright seeing it. But for all of you gore hounds out there, you'll be happy to see another surgery-esque scene, as well as some pretty gruesome traps (a bed that tears you apart, a scalping machine, etc.)... Yet I have to say; a lot of these traps are fairly simple and lack a bit of "oomph" that we've come to expect from the brutal series.
In the end, if not for the climax's downright awful "twist"; Saw 4 might have been the best addition to the series since the original. That and I would have scored it higher... For me, the poor excuse for an ending really did hurt my enjoyment quite a bit... Oh well... Guess we'll just have to wait and see what kind of tricks Saw 5 will pull. And I'm completely serious.
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