Undertow: Critic Reviews

100%
MovieWeb:   0 reviews
55%
RottenTomatoes:   116 reviews
  • Owen Gleiberman Entertainment Weekly (Top Critic)
    59
    Green's new film opens with a sequence that's at once visceral and baffling.
    Full Review » 8 years ago
  • Stephen Holden New York Times (Top Critic)
    60
    The young director David Gordon Green's first film with a conventional plot is a moody gothic thriller drenched in myth and superstition.
    Full Review » 8 years ago
  • Desson Thomson Washington Post (Top Critic)
    Unevenly torn between its would-be poetry and its melodramatic narrative.
    Full Review » 8 years ago
  • Stephen Hunter Washington Post (Top Critic)
    The suspense first-rate.
    Full Review » 8 years ago
  • Wesley Morris Boston Globe (Top Critic)
    50
    A thriller that has no interest in thrills.
    Full Review » 8 years ago
  • J. Hoberman Village Voice (Top Critic)
    It's surprisingly visceral-at times almost thrilling.
    Full Review » 8 years ago
  • Jack Mathews New York Daily News (Top Critic)
    50
    Bell's performance as a teenager becoming a man in midflight pulls us through this murky, slow-paced affair, but it's a slog.
    Full Review » 8 years ago
  • Eric Harrison Houston Chronicle (Top Critic)
    75
    From its opening lines and first enigmatic image, everything about Undertow is both dreamlike and real, artfully elusive and matter-of-fact.
    Full Review » 8 years ago
  • Chris Vognar Dallas Morning News (Top Critic)
    75
    A taut piece of Southern Gothic from Richardson native David Gordon Green.
    Full Review » 8 years ago
  • Roger Ebert Chicago Sun-Times (Top Critic)
    100
    Green has a visual style that is beautiful without being pretty. We never catch him photographing anything for its scenic or decorative effect.
    Full Review » 8 years ago
  • Michael Wilmington Chicago Tribune (Top Critic)
    88
    Seething with violence, bleeding with lyricism, it's a poem from the junk heap, a cry from the swamp, another night for another hunter.
    Full Review » 8 years ago
  • Steven Rea Philadelphia Inquirer (Top Critic)
    75
    A small, unsettling thriller.
    Full Review » 8 years ago
  • Jeff Strickler Minneapolis Star Tribune (Top Critic)
    63
    There's certainly nothing wrong with trying to make a movie visually pleasing, but it shouldn't come until after there's a good plot and intriguing characters.
    Full Review » 8 years ago
  • Kathy Cano Murillo Arizona Republic (Top Critic)
    50
    One non-threatening Undertow.
    Full Review » 8 years ago
  • Rex Reed New York Observer (Top Critic)
    A real Gothic page-turner in the William Faulkner tradition.
    Full Review » 8 years ago
  • Scott Foundas Variety (Top Critic)
    A deep-fried piece of Southern Gothic that wears its unpleasantness like a merit badge...
    Full Review » 3 years ago
  • Megan Lehmann New York Post (Top Critic)
    75
    Undertow conforms to many of the tropes of a formula thriller but, aided by an evocative Philip Glass score and Tim Orr's beautifully naturalistic cinematography, it transcends the genre.
    Full Review » 8 years ago
  • Roger Moore Orlando Sentinel (Top Critic)
    40
    Green is all surface and no depth in his effort to channel the late novelist William Faulkner.
    Full Review » 8 years ago
  • Peter Howell Toronto Star (Top Critic)
    40
    'Southern Gothic' and 'arthouse' are rarely used to describe the same movie, and Undertow is a prime example of why that is.
    Full Review » 8 years ago
  • Rick Groen Globe and Mail (Top Critic)
    63
    A thriller in dire need of thrills.
    Full Review » 8 years ago
  • James Berardinelli ReelViews (Top Critic)
    75
    Those going to Undertow expecting a thriller will find the proceedings slow going. However, those who are seduced by the characters and the setting will find that the 105 minutes pass quickly.
    Full Review » 8 years ago
  • Kirk Honeycutt Hollywood Reporter (Top Critic)
    Undertow is the kind of mistake a young and adventurous director will make.
    Full Review » 8 years ago
  • Peter Travers Rolling Stone (Top Critic)
    50
    Full Review » 7 years ago
  • Kevin Thomas Los Angeles Times (Top Critic)
    60
    A movie that doesn't add up to the sum of its parts, yet some of those parts connect deeply anyway.
    Full Review » 8 years ago
  • David Wiegand San Francisco Chronicle
    100
    Full Review » 2 years ago
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