Rules of Engagement: Critic Reviews

86%
MovieWeb:   1 reviews
37%
RottenTomatoes:   50 reviews
  • Lisa Schwarzbaum Entertainment Weekly (Top Critic)
    67
    The two actors are soldiers of hard-headed substance at attention in a field of milder actors at ease.
    Full Review » 12 years ago
  • Mike Clark USA Today (Top Critic)
    The sentiments here are thoroughly semper fi, but the result occasionally works at cross-purposes.
    Full Review » 12 years ago
  • Jay Carr Boston Globe (Top Critic)
    Rules of Engagement never engages us.
    Full Review » 12 years ago
  • Michael Wilmington Chicago Tribune (Top Critic)
    Written with such murderous gravity, certainty and gloomy solemnity ... that it tends to kill our interest.
    Full Review » 12 years ago
  • Susan Stark Detroit News (Top Critic)
    75
    At their best, [Jackson and Jones] are merely two of the most cunning, commanding performers in all of movies.
    Full Review » 12 years ago
  • Todd McCarthy Variety (Top Critic)
    A broad and obvious approach to ambiguous material that's virtually all plot mechanics with little nuance or characterization.
    Full Review » 12 years ago
  • Jonathan Foreman New York Post (Top Critic)
    63
    Entertaining.
    Full Review » 12 years ago
  • Jay Boyar Orlando Sentinel (Top Critic)
    This movie is a blunt object -- blunt, but not particularly effective.
    Full Review » 12 years ago
  • Geoff Pevere Toronto Star (Top Critic)
    The casting pays off.
    Full Review » 12 years ago
  • Kenneth Turan Los Angeles Times (Top Critic)
    50
    It doesn't have the chops or the ambition to wrestle with the questions it raises.
    Full Review » 12 years ago
  • Michael Dequina TheMovieReport.com
    50
    If the makers hadn't stuck so closely to the rules, this film would have been far more engaging.
    Full Review » 2 years ago
  • Jeffrey M. Anderson Combustible Celluloid
    75
    Not exactly a triumphant return to form for maverick director William Friedkin, but it's not bad, either.
    Full Review » 9 years ago
  • Jon Niccum Pitch.com
    63
    Whereas a TV version of the same material might flounder, this slick, big-budget film works because there is legitimate doubt as to both the level of guilt of the accused and the outcome of the trial.
    Full Review » 10 years ago
  • Frederic and Mary Ann Brussat Spirituality and Practice
    A thriller set in Yemen that turns into an ethical examination of the use of force by the military.
    Full Review » 10 years ago
  • Rob Vaux Flipside Movie Emporium
    42
    It has the gumption to open a huge ethical can of worms without the first idea what to do with them.
    Full Review » 11 years ago
  • Prairie Miller Playboy Online
    Hey, dazzle us with a movie, don't shove it down our throats.
    Full Review » 11 years ago
  • Chuck Rudolph Matinee Magazine
    34
    A silly courtroom thriller that comes dangerously close to remaking [Joel] Schumacher's A Time to Kill.
    Full Review » 11 years ago
  • Wesley Morris San Francisco Examiner
    Cruelly drab.
    Full Review » 12 years ago
  • Steve Rhodes Internet Reviews
    63
    Will engross you while you're there but will fall apart in your mind as you begin to think about it later.
    Full Review » 12 years ago
  • Joe Baltake Sacramento Bee
    Both actors are excellent.
    Full Review » 12 years ago
  • Steve Murray Atlanta Journal-Constitution
    What distinguishes Rules is its use of xenophobia to bolster its legal arguments, and presumably tap audience's deep-seated prejudices.
    Full Review » 12 years ago
  • Duane Dudek Milwaukee Journal Sentinel
    Its story turns on implausibilities and improbabilities.
    Full Review » 12 years ago
  • Bob Graham San Francisco Chronicle
    75
    This drama about a massacre in Yemen takes on unexpected interest because the main character, a fiery-eyed Marine combat hero played by Samuel L. Jackson, is presented as a believably flawed man.
    Full Review » 12 years ago
  • Jon Popick Planet Sick-Boy
    A run-of-the-mill courtroom bore with one of the most anti-climatic ending in recent memory.
    Full Review » 12 years ago
  • Steve Schneider Orlando Weekly
    Webb, Gaghan and director William Friedkin aren't courting the sensible; they're out to appeal to right-wing hawks whose talons outnumber their I.Q. points.
    Full Review » 12 years ago
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