In the way it unimaginatively regurgitates familiar genre elements in service of preachy piousness, director Scott Charles Stewart's cinema is the equivalent of Christian rock.
A surprisingly effective piece of genre filmmaking, littered with flaws but none so glaring as to sink the film as a whole.
Priest's shortcomings should not really come as a surprise. Previously, Stewart directed the equally lame Legion, which also mixed religion and demonic creatures.
The simplistic directness of its storytelling is refreshing. It's as if the filmmakers realize they're wasting everyone's time, so they at least want to take up as little of it as possible.
I liked Priest, and I wouldn't much mind any of these characters returning.
The Scorecard Review
They could have called this one 'Something Borrowed' because everything feels lifted from other films.
Lately, it feels like there are two things you can count on in a Screen Gems movie. 1) It will suck. 2) It will feature Cam Gigandet. And he will suck.
Staci Layne Wilson
While I hardly hold Priest 3D sacred, I'm not throwing holy water on it and casting it out, either. It's fine, as long as you're fine with adequate horror actioners.
...society is protected by a band of licensed-to-kill clergy who power up with prayer and shoot cross-shaped ninja stars.
Sci-Fi Movie Page
Maybe I'm giving the filmmakers too much credit, but I'd like to believe there was once more to Priest than the tedious, hollow, joyless jumble that's presented here
Its truncated running time suggests that a huge amount of it was left on the cutting room floor.
It just makes me sad to think director Scott Stewart and all the artists under him had high ambitions and substantial resources... for this.
At $12.75 a movie ticket, you might be better off buying the comic book.
The over-optimistic promise of a sequel will hopefully be one premise which remains dead and buried. For ever and ever. Amen.
In an era where monster mythology has become raw material for all sorts of mediocrity, Priest is one of the best examples of a broad-scale vampire blockbuster.
[E]ven though it's easy to point out how derivative it is in a lot of ways, it's also sort of thrilling in how spare and clean and unself-conscious it is about itself...
A melange of apocalyptic western, gothic horror and vampire action movie, Priest won't win any awards for originality. Still, it's streamlined and executed well enough to earn a tip of the cap from those in its target demo.
At best, Priest is a passable time-waster. Mostly, it's like watching an extended Gorillaz video.
Did Paul Bettany know, when he donned the cowl of the albino monk in 'The Da Vinci Code', that he would soon be typecast as Hollywood's go-to guy for God-bothering multiplex action movies?
News of the World
Paul Bettany in a cassock with a cross biroed on to his forehead, potholing with vampires. In 3D.
Clawing away under its 3D dinge and slick but desensitising effects, the movie is deadly, even when it's cool - a comic-book adaptation ruthlessly shorn of the word "comic".
This is London
It stars Paul Bettany as a warrior priest in a world in which vampires and humans have warred for centuries.
Daily Mirror [UK]
Drab, eye-rollingly stupid and with noisy effects designed to drown out audience snores, Priest is just about as bad as it gets.
A dourly humourless, futuristic farrago.