Hot Fuzz: Review By Julian Roman
Hot Fuzz is what you expect from a good satire, a lot of laughs, smart writing, and a cast talented enough to deliver the goods.
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OVERALL4.0GREAT
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Story
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Acting
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Directing
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Visuals
The brilliance of this film lies in how the generic American buddy-cop storyline is transposed to fit a sleepy English town. Included are the stereotypical characters you've come to expect from the genre. Supercop Angel and his goofy sidekick have the usual suspects and adversaries to deal with: the ruthless businessman, his ogre-like henchman, the corrupt lawyer, the ball-busting coworkers, it's all there. They also copy the filmmaking styles of the genre. Michael Bay ("Bad Boys") and Richard Donner ("Lethal Weapon") could get a screen credit for the shots Edgar Wright (the director) uses to drum in the satire. Wright packs "Hot Fuzz" with ridiculous action scenes and perfectly placed one-liners to sum up the carnage.
My main critique of "Hot Fuzz" is the overemphasis on gore. The film is shockingly bloody and gruesome. I understand that Pegg and Wright are doing a satire of violent cop films; but they take it way too far here. People are impaled, decapitated, split open; it's like you're watching a horror film. "Shaun of the Dead", their previous zombie film, isn't nearly as violent as "Hot Fuzz". This is the only reason why "Hot Fuzz" gets an R-rating. They could have easily gotten a PG-13, and a much wider audience, if they toned down the gore.
British comedy is often deadpan and not as over-the-top as American comedy. Don't see "Hot Fuzz" if you're expecting a "Scary Movie"-like satire. This film doesn't rely on cheap gags or fart jokes for its humor. "Hot Fuzz" is what you expect from a good satire, a lot of laughs, smart writing, and a cast talented enough to deliver the goods.
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