Fight Club: Review By JR

edward norton rules his acting is always something to see and if you like his movies this is a must see.

The most exellent and impressive manifestations throughout cinema's immpresionable history book. Revolutionarlly stuff, delivered with original style and charisma. Genuinelly Compelling.

Presented through the eyes of our narrative leading character (Norton), who remains nameless throughout the picture, Fight Club opens into a world of materialisation, obsessive compulsion and sterotypical depression. Bound by the confines of his own mind, he suffocates inside the settings of his own imaginative reality. Oxford branded young professional insomniac's searching for the key to his prison of catalouge possesions and advertising materialism.

Upset with the situation of his lonely, tear inducing emotionall and physical tiredness. He passes through the boundries of common desency in abusing the trust of troubled and unfortunate members of the dark shift of the spectrum of society. Introduced gradually and artistically to a range of the perfect imperectional characters.

Robert Paulson (Meat Loaf), ex-professional championship bodybuilding, divorced, unfortunate testicular cancer, Double E cup sized, victim of an imperfect world. Marla Singer (Boham-Carter), poverty stricken, streetwise, vulgar, leeching outcast child of a God,tragically lost in the war against society oppresion. Tyler Durden (Pitt), intelegent, good-looking, criminally minded, emotionally stable, suburbian outcast, antichrist to the leading man, and more importantlly, emotionally free in all the ways that we are not.

Driven together by a vengance inflicting fate, Tyler and our man embark on an emotional quest of self discovery casting away the bonds of responsibility and society endorsed mind programming.

Finding sweet release from the discomforts of there *****ty working class surrounding's in the emotionless entanglements of physical exertion, we are presented with an understanding of both character growth and development and constructive rage synthesis contempt for there place in the world.

Brad Pitt puts on a performance we would never have thought possible from such glamor based celebrity icons. Tyler is funny, loveable, even when bad and everything we wish that we could be, Pitt displays this seeminglly effortlessly, once more quenching rumuours and stereotypicalisation regarding physically gifted individuals. Norton plays the performance of his promising carere in such a manner that at times it becomes easy to believe the reality of even the most unbelievable circ*mstances. The supporting leads all delivers impressive performances and blend perfectlly together in the mould that sets to form the most contraversially breathtaking event for times of immense satisfaction.

M. Night Shyamalan would turn green with envy when the final twist of the tale is introduced like the final piece of a 2 and a half hour jigsaw puzzle of possibility.

Easily one of the most entertaining and immenslly impressive pieces of perpetual art to ever arise from the ranks of second class direction like the hope diamond being discovered at a supermarket excavation.

Emotionally Scarring in the most Exellent and Appreciative Manner. Nothing short of Genius. Amazing