At the Death House Door: Critic Reviews
MovieWeb: 0 reviews
100%
RottenTomatoes: 11 reviews
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Loren King Chicago Tribune (Top Critic)75At the Death House Door is a sobering account of Pickett's gradual evolution from pro-death penalty minister to a man struggling to reconcile his complicated role in those deaths.Full Review » 4 years ago
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Colin Covert Minneapolis Star Tribune (Top Critic)88The directors of Hoop Dreams and Stevie turn their documentary lens on capital punishment through the experiences of Rev. Carroll Pickett, the chaplain of Texas' Huntsville Prison, where he ministered to 95 condemned inmates in their final hours.Full Review » 4 years ago
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John DeFore Hollywood Reporter (Top Critic)an involving film with fresh perspectives that should ensure appeal on the activist and festival circuits.Full Review » 4 years ago
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Philip Martin Arkansas Democrat-Gazette88makes great sense from a journalist's perspective.Full Review » 3 years ago
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John A. Nesbit Old School Reviews75brings to light the personal struggles of a dedicated man who has been facing life and death issues on the front linesFull Review » 3 years ago
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Harvey S. Karten CompuserveA measured portrait of a pastor who morphed from an advocate of the death penalty to an advocate for a maximum sentence of life without parole.Full Review » 4 years ago
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Brian Tallerico The DeadboltA documentary that feels even more relevant with the upcoming Supreme Court discussion of lethal injection in June.Full Review » 4 years ago
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S. James Wegg JWR90Rarely has the unholy alliance between Church and State been so succinctly delineated than in this detail-rich documentation of the near-daily ritual of purging the glorious state of Texas of its 'worst of the worst'.Full Review » 4 years ago
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Sean McBride Sean the Movie Guy75a powerful rumination on the death penalty, but perhaps because Rev. Pickett isn't a firebrand, the film is curiously disaffecting.Full Review » 4 years ago
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Film Threat70Full Review » 4 years ago
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Eric D. Snider EricDSnider.com75[The directors'] touch is artistic but not pretentious, utilizing music and other cinematic effects sparingly -- just enough to elevate the film from public-television special to high art.Full Review » 4 years ago
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