Abraham Lincoln: Vampire Hunter: Review By Lim Chang Moh
Revisionist Fantasy that Borders on the Absurd
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OVERALL3.0WORTHY
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Story
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Acting
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Directing
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Visuals
know from the history books. The curiosity factors aroused by this
film, directed by Timur Bekmambetov of "Wanted" {2008} and "Daywatch"
{2006} fame, are how creatively the film-makers 'bastardise' American
history, and the set action pieces that Bekmambetov and his crew have
set up.
The answer: They are impressive but a bit ludicrous.
Adapted from the book by Seth Grahame-Smith (who also wrote the
screenplay), the film chronicles the loss of Abe's mother (Robin
MacLeavy) at the hands of a vampire when Abe is still a child. This
serves as the motivating factor for Abe's (Benjamin Walker) subsequent
vampire hunting mission and his burgeoning career as a lawyer and
politician to, finally, his Presidency during the Civil War. Along the
way, he kills countless bloodsuckers led by the vile and vicious Adam
(Rufus Sewell) as part of his secret war against the undead.
The movie is obviously a mix of biopic and horror flick but it fails at
both, and ends up being an expensive action film. This is evident in
the story which has Abe wielding an ax against the marauding vampires
instead of guns with silver bullets. With the ax, we get blood
splashes and dramatic combat action - the sort of targets Bekmambetov
usually aims for. Still, two of his set pieces stand out: a
rodeo-styled chase during a horse stampede, and a climactic fight on a
runaway train speeding across a burning bridge.
I am not really a fan of the main vampire plot which borders on the
ridiculous but Grahame-Smith provides a few interesting and absorbing
subplots, namely the relationship between Abe and his wife Mary Todd
(Mary Elizabeth Winstead). There is undeniable chemistry between Walker and Winstead that makes us care about and believe in this absurd version of
the First Couple. Also, Walker, who looks like a young Liam Neeson (he
has played the younger version of Neeson's title character in Kinsey),
exudes the simple and honest charm one normally associates with Abe
Lincoln. Hence, bravo to the casting department.
One the minus side, the anti-slavery subplot and his rise to the
Presidency are given the short shrift; and the man-vs-vampire clashes
are so absurd that we are constantly reminded that this is revisionist
pulp fiction trying to get on the bandwagon of "Twilight"'s popularity.
VERDICT: For those who like their blood and gore topped up with the quaint. (Full review at limchangmoh.blogspot.com)
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