Take a look at what he had to say below, where the filmmaker reveals he isn't interested in developing anything else except for these Pandora-set sequels.
"I've divided my time over the last 16 years over deep ocean exploration and filmmaking. I've made two movies in 16 years, and I've done eight expeditions. Last year I basically completely disbanded my production company's development arm. So I'm not interested in developing anything.
I'm in the "Avatar" business. Period. That's it. I'm making Avatar 2, Avatar 3, maybe Avatar 4, and I'm not going to produce other people's movies for them. I'm not interested in taking scripts. And that all sounds I suppose a little bit restricted, but the point is I think within the Avatar landscape I can say everything I need to say that I think needs to be said, in terms of the state of the world and what I think we need to be doing about it. And doing it in an entertaining way. And anything I can't say in that area, I want to say through documentaries, which I'm continuing.
I've done five documentaries in the last 10 years, and I'll hopefully do a lot more. In fact, I'm doing one right now, which is on this, the DeepSea Challenge project that we just completed the first expedition. So that'll be a film that'll get made this year and come out first quarter of next year."
Last month, we reported that the filmmaker wanted to make the long-delayed Battle Angel after his sequel to Avatar. It seems that plan may not come to fruition now. The director also gave a status update regarding the progress of Avatar 2 and Avatar 3.
"We've spent the last year and a half on software development and pipeline development. The virtual production methodology was extremely prototypical on the first film. As then, no one had ever done it before and we didn't even know for two and half years into it and $100 million into it if it was going to work. So we just wanted to make our lives a whole lot easier so that we can spend a little more of our brainpower on creativity. It was a very, very uphill battle on the first film. So we've been mostly working on the tool set, the production pipeline, setting up the new stages in Los Angeles, setting up the new visual effects pipeline in New Zealand, that sort of thing. And, by the way, writing. We haven't gotten to the design stage yet. That'll be the next."