- Release Date:
- Runtime:1 hour 50 minutes
- Studio:New Line Home Video
- UPC:794043477621
- Production Year:1999
- Special Features
- Widescreen version of the film
- Feature-length commentary by director James Foley
- Music video: UGK "Take It Off"
- Original theatrical trailer
- Cast and crew biographies and filmographies
- "From the [Under] Ground Up: The Making of The Corruptor"
- DVD-ROM features: script-to-screen, read or print the screenplay
- Up-to-the-minute information on every cast and crew member with web links
- Chapters
- Side #1 --
- 0. Scene Selections
- 1. Logos/Credits [2:42]
- 2. Chinatown War [:13]
- 3. A Bad Deal for the Fukienese [:37]
- 4. Welcome to A.G.U. [:30]
- 5. The Ginza Raid [:28]
- 6. A Bust for Wallace [2:13]
- 7. Henry Lee [1:26]
- 8. Another Victim [:29]
- 9. Family Business [:02]
- 10. An Exchange of Information [1:26]
- 11. A Gift for Wallace [2:27]
- 12. Heavy Traffic [1:09]
- 13. Enter the Feds [:29]
- 14. Henry's Deal [:51]
- 15. Plums and Peaches [2:29]
- 16. Benny Wong Cuts a Deal [:09]
- 17. A Little Help From Nick [1:28]
- 18. Wallace's Secret [2:36]
- 19. The Snare Is Set [1:07]
- 20. Nick Learns the Truth [2:15]
- 21. The Shipyard [1:15]
- 22. Final Honor [1:24]
- 23. End Credits [1:01]
- 1. Introduction/Gang Activities in New York/I Felt That We Wanted Solid Ground/Chow Yun-Fat Served as Asian Sensibility/Internal Lo
- 2. The Explosion at the Bakery/Working With a Famous Television Announcer
- 3. In the First Scene With Yun-Fat/Yun Fat's Hong Kong Movies/The Scene in the Lamp Shop Has Been Cut/The Guy Who Plays Jack Storme
- 4. When I Read the Script I Wasn't Aware of Yun-Fat
- 5. Casting of the Gang Members/Big Challenge
- 6. The Visual Introduction of Characters/Mark Walks In
- 7. Pushing My Imagination/Intersecting With Reality/Drama of the Light/The Orchestration of Movement/Expressive Body and Camera Mov
- 8. Not Interested in Genre/Firepower Is Horrific and Scary
- 9. Idea Behind Using Narrow Spaces
- 10. Revelation and Mystery About Mark/Filmmaker Suggestions
- 11. Ric Young as Henry Lee/Giggling Corruptor/Director Shapes, Not Originate
- 12. Red Hair Jack and 80's Chinatown Teens/Melancholy and Sadness
- 13. Yun-Fat Sterilizes His Gun/Yun-Fat as a Classic Clown
- 14. The Father Son Relationship/Brian Cox the English Actor/Hot Fudge Factor
- 15. Mixing Sets and Locations
- 16. May Was Naked, Scene Was Changed/Chow Yun-Fat as Asian Consultant
- 17. Depiction of Bobby Vu/Believability of the Character/Rules of the Villains/Mark Accepts Henry Lee Tip/Good Cop Character
- 18. White Cops Working in Chinatown/Mark's Reward Scene as a Cop/Chow Yun-Fat's Regard
- 19. Getting Drunk Scene/Bonding/It Is All About Transitions/Unresolved Scenes
- 20. From Toy Cars to Car Chases/Pedestrians Being Shot/Interrogation Scene Technical Difficulty for the Wounds
- 21. Paul Ben-Victor, the FBI Agent, Is the 3rd Wheel
- 22. Chow Yun-Fat in Mark's House/Remembering Who People Are Visually
- 23. Hospital Room Design/Lights Suggesting Dark World/Dramatic Use of Sound/Editing as Sculpture/Building on Previous Scene Before R
- 24. Eating Plums/Revelation by Yun-Fat Is Liberating/Wants to Share/Lady Sucking Bobby Vu's Nipple/Bad Guys Set/Use of Rap Music/Gon
- 25. MPAA Cutting Violent Scenes/The Actress Who Slept All the Time
- 26. Mark's Final Revelation/Mark's Father Tells His Version/Yun-Fat Lets Loose/Themes of Forgiveness and Caretaking
- 27. Son's Of Corrupted Fathers/Themes in Character Driven Films/Chinese Breathing Technique
- 28. Structure of the Movie/Resolution Challenge/Lights and Narrow Spaces/Real Life Resolution/Funerals
- 29. Final Thoughts: My Favorite Hollywood Movies/The Visualization of the World of the Corrupter/Showing the World Through Your Own
- 1. I Specifically Wanted to Record Today/What'll I Do Next?
- 2. Why I Want to Work With Actors
- 3. Creating Pops/Pushing the Reality
- 4. Going to the Movies/Movie Reflecting Artificial World/"A Place in the Sun"/Action Divorced From the Story
- 5. A Line Cut Out in the Massage Room
- 6. My Way to Approach the Violence/The Weird World of Foley Cinema
- 7. Continuity Is Poetry More Than Science/Any Film Has a Number of Mistakes
- 8. Mark's "Necklace" Is a Secret
- 9. Sense of Place/The Importance of Geography in Movies
- 10. Mrs. Wong Murdered: Scene Cut Out/Why MPAA Cuts Are Bugging Me/Impure Thoughts
- 11. About Mark Wahlberg
- 12. The Score
- 0. 5.1 Isolated Music Cue Index
- 1. Opening Credits "The Corruptor"
- 2. 1M 2 "News Report"
- 3. 1M 3 "Lamp Store Shoot Out"
- 4. 1M 4b "Jack"
- 5. 1M 7 "Panty Raid"
- 6. 1M 8 "Ginza Shooting"
- 7. 1M 10 "They Drive"
- 8. 2M 11 "Drug Raid"
- 9. 2M 14 "Dumpster"
- 10. 2M 15 "The Old Man"
- 11. 2M 16 "Walace Relents"
- 12. 2M 18 "Beneath the Streets"
- 13. 3M 22/23 "Death Drives Through Chinatown"
- 14. 3M 24/25 "Jail/FBI Warning"
- 15. 4M 26 "Henry's Office"
- 16. 4M 27 "He Takes the Hook"
- 17. 4M 28 "A Plum"
- 18. 4M 31/32 "You're A1/Wiring Up"
- 19. 5M 36 "Chen Betrayed"
- 20. 5M 37 "To the Ship"
- 21. 5M 38/6M 38-39 "Bowel of the Ship/Human Cargo/Chen Shot"
- 22. 6M 40 "Chen Is Dead"
- 23. 6M 42/End Credits "Funeral in Chinatown/Corruptoid/Oud Happy"
- 0. View Index
- 1. The Research: Beneath the Streets
- 2. The Cast: East Meets West
- 3. The Production: Action With Character
- 4. The Director: The Close-Up
- 1. The Car Chase: The Unedited, Unrated Version
- 2. The Marketing: Building the Trailer
- 2. The Stills Gallery: Production Design Studies and Production Stills
- Menu
- Side #1 --
- Play Movie
- Special Features
- Commentary by Director James Foley
- Play Commentary
- Commentary Index
- Additional Commentary Index
- Isolated Score
- Play Isolated Score by Composer Carter Burwell
- From the (Under)Ground Up: The Making of the Corruptor
- Play
- Original Theatrical Trailer
- Cast & Crew
- Chow Yun-Fat
- Mark Wahlberg
- Ric Young
- Paul Ben-Victor
- Brian Cox
- Byron Mann
- James Foley
- Music Videos
- Play Video: UGK "Take It Off"
- Audio Options
- English (Dolby Digital 5.1 Surround Sound)
- English (Stereo Surround Sound)
- Commentary
- Subtitles, English: On
- Subtitles, English: Off
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